Depictions in Popular Culture
Pat Barker's 1991 historical novel Regeneration describes the meeting and relationship between Sassoon and Owen, acknowledging that, from Sassoon's perspective, the meeting had a profoundly significant effect on Owen. Owen's treatment with his own doctor, Arthur Brock, is also touched upon briefly. Owen's death is described in the third book of Barker's Regeneration trilogy, The Ghost Road. In the 1997 film he was played by Stuart Bunce. The play Not About Heroes by Stephen MacDonald also takes as its subject matter the friendship between Owen and Sassoon, and begins with their meeting at Craiglockhart during World War I. Owen was mentioned as a source of inspiration for one of the correspondents in the epistolary novel The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows.
Owen is the subject of the 2007 BBC docudrama Wilfred Owen: A Remembrance Tale, in which he is played by Samuel Barnett. His poetry has been reworked into various formats, such as The Ravishing Beauties' recording of Owen's poem "Futility" in an April 1982 John Peel session. Benjamin Britten incorporated nine of Owen's poems into his War Requiem, opus 66, along with words from the Latin Mass for the Dead (Missa pro Defunctis). The Requiem was commissioned for the reconsecration of Coventry Cathedral, and first performed there on 30 May 1962. A screen adaptation was made by Derek Jarman in 1988, with the 1963 recording as the soundtrack.
In 1982, a song titled "Anthem for Doomed Youth" which was loosely based on the poem was recorded by the 10,000 Maniacs in Fredonia, New York. The recording appeared on their first EP release Human Conflict Number Five and later on the compilation Hope Chest. Also appearing on the Hope Chest album was the song "The Latin One", a reference to the title of Owen's poem "Dulce et Decorum Est" on which the song is based. Also in 1982, singer Virginia Astley set the poem "Futility" to music she had composed.
In 2010, local Wirral musician Dean Johnson created the musical Bullets and Daffodils, based on music set to Owen's poetry.
Read more about this topic: Wilfred Owen
Famous quotes containing the words popular culture, depictions, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (1940–1992)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“The higher, the more exalted the society, the greater is its culture and refinement, and the less does gossip prevail. People in such circles find too much of interest in the world of art and literature and science to discuss, without gloating over the shortcomings of their neighbors.”
—Mrs. H. O. Ward (1824–1899)