Scenery
The desert scenery in the first two Road Runner cartoons, Fast and Furry-ous (1949) and Beep, Beep (mid 1950), was designed by Robert Gribbroek and was quite realistic. In most later cartoons the scenery was designed by Maurice Noble and was far more abstract. Several different styles were used. In The Wild Chase (1964), featuring a race between the Road Runner and Speedy Gonzales, it is stated that the Road Runner is from Texas, insofar as the race announcer calls him the "Texas Road Burner." That suggests that most of the Wile E. and Road Runner cartoons could take place in Texas. However, in To Beep or Not to Beep, the catapult is constructed by the Road-Runner Manufacturing Company, which has locations in Taos, Phoenix, Santa Fe, and Flagstaff, suggesting that it takes place in or near the Four Corners (Arizona, New Mexico, Utah, Colorado) region, specifically Monument Valley.
In Going! Going! Gosh! (late 1951) through Guided Muscle (late 1954) the scenery was "semi-realistic" with an offwhite sky (possibly suggesting overcast/cloudy weather condition). Gravity-defying rock formations appeared in Ready, Set, Zoom! (early 1954). A bright yellow sky made its debut in Gee Whiz-z-z-z-z-z-z (early 1955) but was not used consistently until There They Go-Go-Go!, later in the same year.
Zoom and Bored (late 1956) introduced a major change in background style. Sharp, top-heavy rock formations became more prominent, and warm colors (yellow, orange, and red) were favored. Bushes were crescent-shaped. Except for Whoa, Be-Gone! (early 1957), whose scenery design harked back to Guided Muscle in certain aspects (such as off-white sky), this style of scenery was retained as far as Fastest with the Mostest (early 1959). Hopalong Casualty (mid–1959) changed the color scheme, with the sky reverting to blue, and some rocks becoming off-white, while the bright yellow desert sand color is retained, along with the 'sharp' style of rock formations pioneered by Zoom and Bored. The crescent shapes used for bushes starting with Zoom and Bored were retained, and also applied to clouds. In the last scene of War and Pieces (1963), Wile E. Coyote's rocket blasts him through the center of the Earth to China, which is portrayed with abstract Oriental backgrounds.
The Format Films cartoons used a style of scenery similar to Hopalong Casualty and its successors, albeit less detailed and with small puffy clouds rather than crescent-shaped ones.
Freeze Frame, a made-for-television short originally shown as part of the 1979 CBS special Bugs Bunny's Looney Christmas Tales, depicts the Road Runner taking a turn that leads the chase into mountains and across a wintry landscape of ice and snow.
Read more about this topic: Wile E. Coyote And Road Runner
Famous quotes containing the word scenery:
“Charles Foster Kane: You always said you wanted to live in a palace.
Susan Alexander: Oh, a person could go crazy in this dump. Nobody to talk to, nobody to have any fun with.
Charles Foster Kane: Susan.
Susan Alexander: Forty-nine thousand acres of nothing but scenery and statues. I’m lonely.”
—Orson Welles (1915–1985)
“It was a comfort in those succeeding days to sit up and contemplate the majestic panorama of mountains and valleys spread out below us and eat ham and hard boiled eggs while our spiritual natures reveled alternately in rainbows, thunderstorms, and peerless sunsets. Nothing helps scenery like ham and eggs.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Other roads do some violence to Nature, and bring the traveler to stare at her, but the river steals into the scenery it traverses without intrusion, silently creating and adorning it, and is as free to come and go as the zephyr.”
—Henry David Thoreau (1817–1862)