Music Video
A couple sits at a booth in a diner, while the woman (Friday Night Lights star Aasha Davis) breaks up with her boyfriend (Saturday Night Live writer and The Lonely Island band member Jorma Taccone). After receiving the plate he requested from the waitress, the man stabs himself in the chest, and pulls out his heart, places it on the plate and gives it to the woman. He explains that his heart "is actually now," that he will never be able to get over her, and says "from now on every girl that I meet will be meticulously compared to the false memory of what you and I once 'had.'" The woman offers to return it after keeping it temporarily for a "shitty day" or when she needs to move something heavy, but the man insists that he is now "heartless" and thus will passively/aggressively ruin all his future relationships. The heart then comes to life, growing arms, legs and a mouth, and begins to sing the lyrics to the song on the counters of the diner using a piece of broccoli as a microphone before finally stabbing itself with a knife and pulling the man's head out of its body. The head looks around, staring off into space. The scene cuts back to the man staring out the window as the woman speaks. The woman finally asks, "Are you even listening to me?" The man simply replies "No." Cee-Lo and Danger Mouse also made cameos as chefs in the diner.
Read more about this topic: Who's Gonna Save My Soul
Famous quotes containing the words music and/or video:
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (1899–1977)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)