Music
All stringed instruments featured in this song, both guitars and basses, are tuned in the standard tuning of E A D G B E. The original recording of the song is notable for its interesting instrumentation: Asian instruments such as a gong and sitar feature, along with an overdubbed Warwick twelve-string bass (as mentioned by the bassist Jason Newsted on the Classic Albums: Metallica - Metallica DVD). This instrument was only used for 'effect' during the intro to emphasize several accented notes and that a standardly tuned 4-string bass was used as the main bass instrument throughout the remainder of the recording.
The song is performed frequently during the band's live concerts, and was performed with the San Francisco Symphony Orchestra (conducted by Michael Kamen) on the live S&M and its companion DVD. When performed live, the band has always relied on their original sitar recording for the intro (the band enters on the first accented note to dramatic effect), however for the S&M concerts guitarist Kirk Hammett utilised a Danelectro electric sitar for the intro before switching to his ESP electric guitar. Jason Newsted never reprised his use of the 12-string bass guitar for any live performances of the song.
The music video featured clips from Metallica behind the scenes and in concert, during their Wherever We May Roam Tour.
Read more about this topic: Wherever I May Roam
Famous quotes containing the word music:
“It is from the blues that all that may be called American music derives its most distinctive character.”
—James Weldon Johnson (1871–1938)
“Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;”
—Alfred Noyes (1880–1958)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)