Production
During the opening sequence, Bart originally wrote "butt.com" on the chalkboard, however, it was modified to butt.butt, due to butt.com being a real website. The storyline of famous celebrities moving to Springfield was pitched by Mike Scully; Scully originally pitched Bruce Springsteen as the celebrity to move to town, however, Springsteen turned down the opportunity to appear. Richard Appel then offered the guest appearance opportunity to Bruce Willis and Demi Moore, but they too turned down the offer. Appel then offered Alec Baldwin and Kim Basinger the opportunity to provide their voices, and they agreed to guest star in the episode. The episode was originally intended to be directed by Mike B. Anderson, but it was held over from season 9 and Pete Michels directed it.
In a 2008 interview, Ron Howard commented that guest voicing himself "was an honor. Probably, from my kids' perspective, my coolest turn." Howard once again guest starred on The Simpsons as himself in the season eleven episode "Hello Gutter, Hello Fadder" (1999). The author of the 2003 book Ron Howard: From Mayberry to the Moon… and Beyond, Beverly Gray, noted that by playing himself in these episodes, "Howard showed once again that he could laugh at his own public persona. His appearances on The Simpsons also suggest how much he remains an American icon, long after the end of his acting career. It's rare indeed for a director or producer to be as instantly recognizable as most Hollywood stars."
Read more about this topic: When You Dish Upon A Star
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)