Plot
Bart and Lisa persuade their parents to spend the day at Lake Springfield. While there, Homer attempts parasailing and is involved in an accident when he tells Marge to send him up far too high; as a result, his rope detaches. He crashes through a glass roof and into the bedroom of Alec Baldwin and Kim Basinger's secluded summer home. The couple and Homer become acquainted. Homer convinces the couple to allow him to be their assistant, while keeping it secret that the celebrity couple are in Springfield. Homer, at first, works well with the couple, and they all become good friends. Homer scares Ron Howard when he visits the couple, and soon attempts to pitch a screenplay about a "killer robot driving instructor that travels back in time for some reason," as well as a talking pie, the robot's best friend. Both his attempts at writing for the couple are unsuccessful.
Homer, due to his inability to keep a secret, eventually releases the information that Baldwin and Basinger are in Springfield, and the couple's house is discovered by Springfield citizens and the media. Baldwin and Basinger are furious at Homer for breaking their trust, and immediately end their friendship with him. Annoyed at losing his friends, Homer begins a mobile museum, entitled "Museum of Hollywood Jerks", which displays the couple's personal belongings. Basinger, Baldwin and Howard discover the museum while intending to apologize to Homer. A high-speed chase quickly ensues between Homer, in his mobile museum, and the celebrities in their Hummer. Homer agrees to stop after Ron Howard is injured during the chase. Homer is ordered by a court of law to remain 500 miles away from any celebrity, both living or dead. One month later, Ron Howard pitches Homer's screenplay from earlier to Brian Grazer of 20th Century Fox, and over a still of Howard rejoicing over securing the deal, a snippet of the theme song of Happy Days is played.
Read more about this topic: When You Dish Upon A Star
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)