When Lilacs Last in The Dooryard Bloom'd - Music

Music

In 1936 the German composer Karl Amadeus Hartmann used parts of "Lilacs" in an intended Cantata for soprano and orchestra. It ultimately formed the second movement of his designated First Symphony.

Conductor Robert Shaw commissioned another German, Paul Hindemith, during his wartime exile in the United States, to set the text of "Lilacs" to music in his Requiem for those we love (1946). There is also a cantata by Roger Sessions setting this poem, written in 1971. David Conte extracted text from the poem for use in his "Invocation & Dance" (1989). George Crumb composed Apparition in 1979, using the text of "Lilacs", mostly from the "Death Carol" section of the poem. Kurt Weill uses the third stanza in his musical Street Scene. In 1996, George Walker used the poem as the basis for his Pulitzer Prize-winning work Lilacs for voice and orchestra.

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