Origins
Wendover Air Force Base's history began in 1940, when the United States Army began looking for additional bombing ranges. The area near the town of Wendover was well-suited to these needs; the land was virtually uninhabited, had generally excellent flying weather, and the nearest large city (Salt Lake City) was 100 miles (160 km) away (Wendover had around 100 citizens at the time). Though isolated, the area was served by the Western Pacific Railroad, and many of its citizens were employed by the railroad.
Construction of the base and ranges began in September–November 1940. The first military personnel arrived in August 1941. Facilities were Spartan, with a few barracks, officer quarters, and a mess hall. There were also some warehouses, a theater, a medical facility, and a few other buildings located on the airfield. By the end of 1941, Wendover airfield had been expanded with additional buildings and paved runways.
Wendover Air Base became a subpost of Fort Douglas in Salt Lake City on 29 July 1941. By that time a total of 1,822,000 acres (737,300 hectare) had been acquired for the base and associated gunnery/bombing range. The gunnery range was 86 miles (138 km) long and 18–36 miles (29–58 km) wide. To provide water, a pipeline was run (1943) from a spring on Pilot Peak (Nevada) to the base.
The first military contingent arrived on 12 August 1941, to construct targets on the gunnery range.
Read more about this topic: Wendover Air Force Base
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)