The Composition Today
The novelty of the work has worn down over the last two-hundred years; as a result, "Wellington's Victory" is not much heard in concert halls today. Many critics lump it into a category of so-called "battle pieces" along with Tchaikovsky's 1812 Overture and Franz Liszt's Battle of the Huns: Charles Rosen writes that 'Beethoven's contribution lacks the serious pretentiousness or the incorporation of ideology of Mendelssohn's Reformation Symphony, or of Berlioz' Symphonie Funèbre et Triomphale, but it is only the less interesting for its modesty.'
In their book Men of Music, authors Wallace Brockway and Herbert Weinstock termed the piece an "atrocious potboiler".
Beethoven, having no illusions about the merits of this particular piece, responded protectively to similar criticism in his own time: "What I shit (scheisse) is better than anything you could ever think up!"
The composition has had somewhat of a renaissance in recent years as it forms the centre-piece of the Battle Proms Concerts which takes place at a number of stately homes around the UK. This is the only concert series known to play the piece with the full complement of 193 live cannon. Modern technology has allowed this piece to be played in this way using electronic firing devices, which are operated by the orchestra percussionist.
Read more about this topic: Wellington's Victory
Famous quotes containing the words composition and/or today:
“There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.”
—Anthony Trollope (1815–1882)
“The late Président de Montesquieu told me that he knew how to be blind—he had been so for such a long time—but I swear that I do not know how to be deaf: I cannot get used to it, and I am as humiliated and distressed by it today as I was during the first week. No philosophy in the world can palliate deafness.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)