Waylon Jennings - Music Style and Image

Music Style and Image

Jennings was characterized by his "powerful" singing voice, noted by his "rough-edged quality", as well as his phrasing and texture. Accompanying his vocals, he played guitar. He was recognized for his "spanky-twang" playing. To create his sound, he used a mixture of thumb and fingers during the rhythmic parts, while using picks for the lead runs. He combined hammer-on and pull-off riffs, with eventual upper-fret double stops and modulation effects. Jennings played a 1953 Fender Telecaster, which was a used guitar purchased as a gift to him by The Waylors. Jennings' bandmates adorned his guitar with a distinctive leather cover, that featured a black background with a white floral work. Jennings did further customizing work on the guitar, by filing down the frets to lower the strings on the neck to obtain the slapping sound. His signature image was characterized by his long hair and beard, as well as his black hat and the black leather vest he wore during his appareances.

Read more about this topic:  Waylon Jennings

Famous quotes containing the words music, style and/or image:

    Did the kiss of Mother Mary
    Put that music in her face?
    Yet she goes with footstep wary,
    Full of earth’s old timid grace.
    William Butler Yeats (1865–1939)

    Style is the dress of thoughts; and let them be ever so just, if your style is homely, coarse, and vulgar, they will appear to as much disadvantage, and be as ill received, as your person, though ever so well-proportioned, would if dressed in rags, dirt, and tatters.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    With a new familiarity and a flesh-creeping “homeliness” entirely of this unreal, materialistic world, where all “sentiment” is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called “the Public,” the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.
    Percy Wyndham Lewis (1882–1957)