Plot
In 1940, German-born engineer Kurt Muller, his American wife Sara, and their children Joshua, Babette, and Bodo cross the Mexican border into the United States to visit Sara's brother David Farrelly and their mother Fanny in Washington, D.C. For the past seventeen years, the Muller family has lived in Europe, where Kurt responded to the rise of Nazism by engaging in anti-Fascist activities. Sara tells her family they are seeking peaceful sanctuary on American soil, but their quest is threatened by the presence of houseguest Teck de Brancovis, an opportunistic Romanian count who has been conspiring with the Germans in the nation's capital.
Teck searches the Mullers' room and discovers a gun and money intended to finance underground operations in Germany in a locked suitcase. Shortly after, the Mullers learn resistance worker Max Freidech has been arrested, and because he once rescued Kurt from the Gestapo, Kurt plans to return to Germany to assist Max and those arrested with him. Aware Kurt will be in great danger if the Nazis discover he is returning to Germany, Teck demands $10,000 to keep silent, and Kurt kills him. Realizing the dangers Kurt faces, Fanny and David agree to help him escape.
Time passes, and when the Mullers fail to hear from Kurt, Joshua announces he plans to search for his father as soon as he turns eighteen. Although distraught by the possibility of losing her son as well as her husband, Sara resolves to be brave when the time comes for Joshua to leave.
Read more about this topic: Watch On The Rhine
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)