Ward Kimball - Career

Career

While Kimball was a brilliant draftsman, he preferred to work on comical characters rather than realistic human designs. Animating came easily to him and he was constantly looking to do things differently. Because of this, Walt Disney called Ward a genius in the book The Story of Walt Disney. While there were many talented animators at Disney, Ward's efforts stand out as unique.

Kimball created several classic Disney characters including the Crows in Dumbo; Tweedledum and Tweedledee, the Mad Hatter and the Cheshire Cat from Alice in Wonderland; the Mice, Lucifer the Cat and Bruno the Dog from Cinderella; and Jiminy Cricket from Pinocchio. He also animated the famous "Three Caballeros" musical number from the Disney film of the same name.

In 1953, Kimball became a director and was responsible for the Academy Award-winning short Toot, Whistle, Plunk and Boom, and three Disney television shows about outer space that put the United States into the space program. He received an Academy Award for the short animated cartoon It's Tough to Be a Bird.

Ward Kimball was profiled by the Academy Award-winning producer Jerry Fairbanks in his Paramount Pictures film short series Unusual Occupations. This 35mm Magnacolor film short was released theatrically in 1944 and focused on Kimball's backyard railroad and full-sized locomotive.

Kimball was also a jazz trombonist. He founded and led the seven-piece Dixieland band Firehouse Five Plus Two, in which he played trombone. The band made at least 13 LP records and toured clubs, college campuses and jazz festivals from the 1940s to early 1970s. Kimball once said that Walt Disney permitted the second career as long as it did not interfere with his animation work.

Kimball continued to work at Disney up until the early 1970s, working on the Disney anthology television series, being one of the writers for Babes in Toyland, creating animation for Mary Poppins, directing the animation for Bedknobs and Broomsticks, and working on titles for feature films such as The Adventures Of Bullwhip Griffin and Million Dollar Duck. His last staff work for Disney was producing and directing the Disney TV show The Mouse Factory. He continued to do various projects on his own, even returning to Disney to do some publicity tours. Additionally, Kimball worked on the World of Motion attraction for Disney's EPCOT Center.

Kimball also produced two editions of a volume titled Art Afterpieces, in which he revised various well-known works of art, such as putting Mona Lisa's hair up in curlers, showing Whistler's Mother watching TV, and adding a Communist flag and Russian boots to Pinkie.

While his only two acting appearances on film were an uncredited role as a jazz musician (with his fellow members of the Firehouse Five Plus Two) in Hit Parade of 1951 and as an IRS Chief in Mike Jittlov's The Wizard of Speed and Time, Kimball also served as host of the "Man and the Moon" episode of Disneyland in 1956. He also appeared as himself in an episode of the popular TV show You Bet Your Life hosted by Groucho Marx on March 18, 1954. As of 2010 the episode is available in a DVD box-set from Amazon.

According to Neal Gabler's biography of Disney, Kimball was a key figure in the dissemination of the urban legend that Walt Disney had instructed that his body be preserved by cryonics after his death.

Amid Amidi has written a biography of Kimball, Full Steam Ahead: The Life and Art of Ward Kimball, slated for publication in the fall of 2012.

Read more about this topic:  Ward Kimball

Famous quotes containing the word career:

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)