War (Edwin Starr Song) - Temptations' Version and Release Debate

Temptations' Version and Release Debate

The Temptations' version of "War", featuring Paul Williams and Dennis Edwards on lead vocals, was much less intense than the Edwin Starr version. Williams and Edwards deliver the song's anti-war, pro-peace message over a stripped-down instrumental track, with bass singer Melvin Franklin chanting a repeated recruit training-like "hup, two, three, four" in the background during the verses.

The song was included as a track on the March 1970 Psychedelic Shack album, which featured the title track as its only single. The track's direct message, summarized by its chorus ("War, what is it good for? Absolutely nothin'!"), struck a chord with the American public and resonated with growing public opposition to the war in Vietnam. Fans from across the nation, many of them college students and other young people, sent letters to Motown requesting the release of "War" as a single. The label did not want to risk the image of its most popular male group, and the Temptations themselves were also apprehensive about releasing such a potentially controversial song as a single. The label decided to withhold "War"'s release as a single, a decision that Whitfield fought until the label came up with a compromise: "War" would be released, but it would have to be re-recorded with a different act.

Read more about this topic:  War (Edwin Starr Song)

Famous quotes containing the words version, release and/or debate:

    Truth cannot be defined or tested by agreement with ‘the world’; for not only do truths differ for different worlds but the nature of agreement between a world apart from it is notoriously nebulous. Rather—speaking loosely and without trying to answer either Pilate’s question or Tarski’s—a version is to be taken to be true when it offends no unyielding beliefs and none of its own precepts.
    Nelson Goodman (b. 1906)

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    A great deal of unnecessary worry is indulged in by theatregoers trying to understand what Bernard Shaw means. They are not satisfied to listen to a pleasantly written scene in which three or four clever people say clever things, but they need to purse their lips and scowl a little and debate as to whether Shaw meant the lines to be an attack on monogamy as an institution or a plea for manual training in the public school system.
    Robert Benchley (1889–1945)