Wanted (comics) - Publication History

Publication History

As with Superman: Red Son, Millar claims that the concept for the series occurred to him when he was a child. In this case, it came to him after his brother told him that there were no superheroes any more because they had all disappeared after a great war with their respective supervillains. It was modified from a pitch by Millar for a Secret Society of Super-Villains series.

1986, the year of the aforementioned war in which the supervillains took over and made their world "darker and grittier", has real world significance to the world of comic books. It marks the publication of Batman: The Dark Knight Returns, Watchmen, and the completion of the 1985-86 Crisis on Infinite Earths series.

With regard to character design, the physical appearance of Wesley is based on rapper Eminem and the Fox's appearance is clearly modelled after actress Halle Berry. Millar had originally planned to not have the characters in costumes, and that they would only be worn for initiation. However, he and J. G. Jones forgot about this, and the characters were indeed rendered wearing familiar supervillain costumes by midway through the series. Many of the characters in this series bear abilities and traits similar to notable comic book supervillains.

The series began publication in 2004, as part of Millar's Millarworld line.

Read more about this topic:  Wanted (comics)

Famous quotes containing the words publication and/or history:

    I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples.
    John Updike (b. 1932)

    The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.
    Terri Apter (20th century)