Education, Vocal Training and Early Career
Waltraud Meier was born in Würzburg, Germany. She sang in numerous choral groups during her younger years. Upon finishing her secondary education, she began graduate studies in English and Romance Languages while also taking voice lessons. She studied singing with Professor Dietger Jacob. In 1976, she decided to concentrate on a singing career and soon thereafter debuted at the Würzburg Opera as Lola in Cavalleria rusticana. Over the next several years she performed regularly at the opera house in Mannheim (1976–1978).
Read more about this topic: Waltraud Meier
Famous quotes containing the words vocal, training, early and/or career:
“If I feel strongly, I say it. I know I can do more good by being vocal than by staying quiet. I’d have a whole lot more money if I lied, but I wouldn’t enjoy spending it.”
—Martina Navratilova (b. 1956)
“I’m not suggesting that all men are beautiful, vulnerable boys, but we all started out that way. What happened to us? How did we become monsters of feminist nightmares? The answer, of course, is that we underwent a careful and deliberate process of gender training, sometimes brutal, always dehumanizing, cutting away large chunks of ourselves. Little girls went through something similarly crippling. If the gender training was successful, we each ended up being half a person.”
—Frank Pittman (20th century)
“Today’s pressures on middle-class children to grow up fast begin in early childhood. Chief among them is the pressure for early intellectual attainment, deriving from a changed perception of precocity. Several decades ago precocity was looked upon with great suspicion. The child prodigy, it was thought, turned out to be a neurotic adult; thus the phrase “early ripe, early rot!””
—David Elkind (20th century)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)