Waltraud Meier - 1990s

1990s

In addition to appearing as Kundry at Bayreuth, Meier continued to appear elsewhere in the role during the 1990s, including a 1991 production at La Scala under the baton of Riccardo Muti and at the Théâtre du Châtelet in Paris, in a version staged by Klaus Michael Grüber and conducted by Semyon Bychkov. In 1992, she appeared for the first time as Kundry at the Metropolitan Opera, opposite Siegfried Jerusalem as Parsifal, with James Levine conducting. The New York Times reported: "Waltraud Meier, bringing her acclaimed performance as Kundry to the Met for the first time, was seductive and gentle in her first approach to Parsifal, holding in reserve a strength and determination that gave her singing an eerie calm." The following year, Meier returned to the Met as Santuzza in Cavalleria rusticana. Of that performance, The New York Times wrote:

As Santuzza in "Cavalleria", Waltraud Meier was superb at the first performance on Friday evening, singing clearly and evenly throughout her range, carrying lines smoothly and coloring her tone richly. She gradually worked an incisive, telling edge into her voice without sacrificing its basic beauty; even her shrieks were musical. And she projected a riveting dramatic presence, convincingly fragile as well as ferocious.

During the 1990s, Meier also moved into roles within the dramatic soprano repertoire. Between 1993 and 1999, she appeared at Bayreuth as Isolde in Tristan und Isolde staged by Heiner Müller and conducted by Daniel Barenboim. In 1998 she added additional dramatic soprano roles, debuting as Leonore in Fidelio at the Lyric Opera of Chicago, again under the direction of Barenboim, and also appearing as Ortrud in a new Lohengrin production at the Bavarian State Opera.