Walter O'Malley - Popular Culture

Popular Culture

O'Malley was mentioned several times in Danny Kaye's 1962 song tribute The D-O-D-G-E-R-S Song (Oh, Really? No, O'Malley!), which spins a tale of a fantasy game between the Dodgers and the Giants. At one point, the umpire's call goes against the home team:

Down in the dugout, Alston glowers
Up in the booth, Vin Scully frowns;
Out in the stands, O'Malley grins...
Attendance 50,000!
So ....what does O'Malley do? CHARGE!!

Just before the St. Louis Cardinals began a series of games against the Dodgers at Dodger Stadium, in 1963, the Los Angeles Times published a large cartoon, drawn by artist Pete Bentovoja, modeled on the movies about the German submarine captain. The captain is Cards' manager Johnny Keane; his "lieutenant" is Stan Musial. They wear Cardinal uniforms with naval officers' caps bearing the "St.L" emblem. While Keane and Musial are speaking, other crew members load bats, like torpedoes, into torpedo tubes; the bats have players' faces (and names and batting averages) drawn on them. Keane looks through the periscope; the inset shows a battleship with a large head of O'Malley, wearing a naval officers cap bearing the "LA" emblem and puffing a cigar. Keane: "Achtung Shtan ! I zought ve sunk sem last year?" Musial: "Yavohl, Mein Kommander, Ve vill blast zem vit bigger und better torpedoes zis zeazon!" (The Cards made a terrific drive for the pennant but finished the season six games back of the Dodgers.)

O'Malley was featured prominently in the HBO documentary film Brooklyn Dodgers: Ghosts of Flatbush, which chronicled his executive management of the Brooklyn/Los Angeles Dodgers. The documentary focuses on the post World War II glory years of the franchise and presents a compelling case that O'Malley truly wanted to keep the Dodgers in Brooklyn in a stadium near a railroad station, but he was unable to get the proper support from Moses.

Read more about this topic:  Walter O'Malley

Famous quotes containing the words popular and/or culture:

    The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.
    George Steiner (b. 1929)

    Let a man attain the highest and broadest culture that any American has possessed, then let him die by sea-storm, railroad collision, or other accident, and all America will acquiesce that the best thing has happened to him; that, after the education has gone far, such is the expensiveness of America, that the best use to put a fine person to is to drown him to save his board.
    Ralph Waldo Emerson (1803–1882)