Walford's County Families is the short title of a work, partly social register, partly "Who's Who", which was produced in Britain in the 19th and 20th centuries, initially under the editorship of Edward Walford. It served as a guide or handbook to the British upper classes and landed gentry (in this case referred to in the title under the term, county families, for which see county family). Its coverage encompassed many of the most important rich, aristocratic or politically powerful of the people of the period, thereby serving to document to an extent the "cream of society", sometimes referred to loosely as Britain's upper ten thousand.
From edition to edition, the title of the annual volumes making up the series varied: the 1899 edition, was, for example, called Walford's County Families of the United Kingdom, or Royal Manual of the Titled and Untitled Aristocracy of England, Wales, Scotland, and Ireland.
Volumes in this series are also sometimes referred to simply as Walford or Walford's. According to the British Library catalogue, the works bearing this title were published from 1860 to 1920.
Famous quotes containing the words county and/or families:
“I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.”
—Berkeley Breathed (b. 1957)
“Families have always been in flux and often in crisis; they have never lived up to nostalgic notions about “the way things used to be.” But that doesn’t mean the malaise and anxiety people feel about modern families are delusions, that everything would be fine if we would only realize that the past was not all it’s cracked up to be. . . . Even if things were not always right in families of the past, it seems clear that some things have newly gone wrong.”
—Stephanie Coontz (20th century)