Waiting For Godot - Interpretations - Political

Political

"It was seen as an allegory of the cold war" or of French resistance to the Germans. Graham Hassell writes, "he intrusion of Pozzo and Lucky seems like nothing more than a metaphor for Ireland's view of mainland Britain, where society has ever been blighted by a greedy ruling élite keeping the working classes passive and ignorant by whatever means."

The pair (i.e. Vladimir and Estragon) is often played with Irish accents, as in the Beckett on Film project. This, some feel, is an inevitable consequence of Beckett's rhythms and phraseology, but it is not stipulated in the text. At any rate, they are not of English stock: at one point early in the play, Estragon mocks the English pronunciation of "calm" and has fun with "the story of the Englishman in the brothel".

Read more about this topic:  Waiting For Godot, Interpretations

Famous quotes containing the word political:

    Every community is an association of some kind and every community is established with a view to some good; for everyone always acts in order to obtain that which they think good. But, if all communities aim at some good, the state or political community, which is the highest of all, and which embraces all the rest, aims at good in a greater degree than any other, and at the highest good.
    Aristotle (384–323 B.C.)

    American thinking, when it concerns itself with beautiful letters as when it concerns itself with religious dogma or political theory, is extraordinarily timid and superficial ... [I]t evades the genuinely serious problems of art and life as if they were stringently taboo ... [T]he outward virtues it undoubtedly shows are always the virtues, not of profundity, not of courage, not of originality, but merely those of an emasculated and often very trashy dilettantism.
    —H.L. (Henry Lewis)

    The man possessed of a dollar, feels himself to be not merely one hundred cents richer, but also one hundred cents better, than the man who is penniless; so on through all the gradations of earthly possessions—the estimate of our own moral and political importance swelling always in a ratio exactly proportionate to the growth of our purse.
    Frances Wright (1795–1852)