Political
"It was seen as an allegory of the cold war" or of French resistance to the Germans. Graham Hassell writes, "he intrusion of Pozzo and Lucky seems like nothing more than a metaphor for Ireland's view of mainland Britain, where society has ever been blighted by a greedy ruling élite keeping the working classes passive and ignorant by whatever means."
The pair (i.e. Vladimir and Estragon) is often played with Irish accents, as in the Beckett on Film project. This, some feel, is an inevitable consequence of Beckett's rhythms and phraseology, but it is not stipulated in the text. At any rate, they are not of English stock: at one point early in the play, Estragon mocks the English pronunciation of "calm" and has fun with "the story of the Englishman in the brothel".
Read more about this topic: Waiting For Godot, Interpretations
Famous quotes containing the word political:
“I have no purpose to introduce political and social equality between the white and black races. There is a physical difference between the two, which, in my judgement, will probably for ever forbid their living together upon the footing of perfect equality; and inasmuch as it becomes a necessity that there must be a difference, I ... am in favour of the race to which I belong having the superior position.”
—Abraham Lincoln (1809–1865)
“What drivel it all is!... A string of words called religion. Another string of words called philosophy. Half a dozen other strings called political ideals. And all the words either ambiguous or meaningless. And people getting so excited about them they’ll murder their neighbours for using a word they don’t happen to like. A word that probably doesn’t mean as much as a good belch. Just a noise without even the excuse of gas on the stomach.”
—Aldous Huxley (1894–1963)
“American thinking, when it concerns itself with beautiful letters as when it concerns itself with religious dogma or political theory, is extraordinarily timid and superficial ... [I]t evades the genuinely serious problems of art and life as if they were stringently taboo ... [T]he outward virtues it undoubtedly shows are always the virtues, not of profundity, not of courage, not of originality, but merely those of an emasculated and often very trashy dilettantism.”
—H.L. (Henry Lewis)