History
Founded in 1974 by pianist Jo Boatright and clarinetist Ross Powell, Voices of Change is one of the longest-lived and most distinguished new music ensembles in the United States. In 1999, VOC was nominated as a finalist for the prestigious Grammy Award for Best Performance by a Small Classical Ensemble. The CD, Voces Americanas, features works of five living composers of Hispanic descent. This is a first nomination for any Dallas/Fort Worth area chamber music ensemble. Voices of Change has been awarded the annual ASCAP Award for Adventuresome Programming an unprecedented five times and has recorded LPs and CDs on the CRI, Crystal, Innova, Albany, Centaur, and Redwood labels.
The ensemble has been privileged to host more than 87 composers who have come to hear, discuss, and, often, participate in the performance of their pieces. VOC has presented over 60 world premieres (more than 25 of which were commissioned by the ensemble), performed music by over 300 composers, and made numerous recordings, including 5 CDs. Voices of Change is also dedicated to commissioning new works and recording them, and produces an annual modern music competition to introduce the music of budding composers.
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Famous quotes containing the word history:
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)
“When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion.”
—William James (1842–1910)
“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
—Mary McCarthy (1912–1989)