Vocal Fry Register - Vocal Fry Register in Singing

Vocal Fry Register in Singing

The vocal fry register is more widely used in singing than might at first seem apparent. Within the bass part of gospel quartet singing the practice is quite common. The croaking sound produced by male singers at the start of phrases in American country music is produced by moving from this mode to the normal voice. Additionally some Russian Anthems contain bass lines within the vocal-fry register. Within choral music, when true basses are not available, choirs often rely on singers who can "fry" the low bass notes. Women are not usually required to sing in the vocal fry register, but are capable of doing so. Some styles of folk singing, however, do utilize the vocal fry register in the female voice. Vocal fry is also used in metal music, usually in combination with air from the diaphragm, in order to create a "growl" or "scream" which sounds aggressive and harsh.

The chief use of the vocal fry register in singing, then, is to obtain pitches of very low frequency which are not available to the singer in the modal register. Although the physiological production of the vocal fry register may be extended up into the modal register, most vocal pedagogues discourage such practices, as it may cause damage to the vocal cords. Also, many voice teachers discourage singers from using the vocal fry register frequently, as it may cause the singer to lose some of the upper notes in the modal register. In some cases, vocal pedagogues have found the use of vocal fry therapeutically helpful to students who have trouble producing lower notes. Singers often lose their low notes or never learn to produce them because of the excessive tension of the laryngeal muscles and of the support mechanism that leads to too much breath pressure.

Some overtone singing styles such as kargyraa use vocal techniques similar to vocal fry.

Read more about this topic:  Vocal Fry Register

Famous quotes containing the words vocal, fry, register and/or singing:

    “Prayer is
    The world in tune,
    A spirit-voice,
    And vocal joys,
    Whose echo is Heaven’s bliss.”
    —Henry Vaughan (1622–1695)

    “The difference between tragedy and comedy is the difference between experience and intuition. In the experience we strive against every condition of our animal life: against death, against the frustration of ambition, against the instability of human love. In the intuition we trust the arduous eccentricities we’re born to, and see the oddness of a creature who has never got acclimatized to being created.”
    —Christopher Fry (b. 1907)

    “Our fear that Communism might some day take over most of the world blinds us to the fact that anti-communism already has.”
    —Anonymous U.S. Analyst In 1967. Quoted in “The Uses of Anticommunism,” vol. 21, published in The Socialist Register (1985)

    “Well, something for a snowstorm to have shown
    The country’s singing strength thus brought together,
    That though repressed and moody with the weather
    Was nonetheless there ready to be freed
    And sing the wild flowers up from root and seed.”
    —Robert Frost (1874–1963)