Indian Classical Music
The Indian violin, while essentially the same instrument as that used in Western music, is different in some senses. The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa-pa (do-sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as CGCG or AEAE. The tonic sa (do) is not fixed, but variably tuned to accommodate the vocalist or lead player.
The way the musician holds the instrument varies from Western to Indian music. In Indian music the musician sits on the floor cross-legged with the right foot out in front of them. The scroll of the instrument rests on the foot. This position is essential to playing well due to the nature of Indian music. The hand can move all over the fingerboard and there is no set position for the left hand, so it is important for the violin to be in a steady, unmoving position.
The violin is a very important part of Indian classical music. It is believed to have been introduced to the Indian tradition by Baluswamy Dikshitar brother of Muthuswami Dekshitar. The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo.
In solo violin concerts, the violinist is accompanied by percussion instruments, usually the tabla, the mridangam and the ghatam.
The violin is also a principal instrument for Indian film music. V. S. Narasimhan is among the leading players in the South Indian film industry, with many hits in the film world.
Read more about this topic: Violin Musical Styles
Famous quotes containing the words indian, classical and/or music:
“Sabra Cravat: I should think you’d be ashamed of yourself. Mooning around with an Indian hired girl.
Cim Cravat: Ruby isn’t an Indian hired girl. She’s the daughter of an Osage chief.
Sabra Cravat: Osage, fiddlesticks.
Cim Cravat: She’s just as important in the Osage nation as, well, as Alice Roosevelt is in Washington.”
—Howard Estabrook (1884–1978)
“Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?”
—R.G. (Robin George)
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)