Violet Hunt - Works

Works

  • The Maiden's Progress (1894)
  • A Hard Woman, a Story in Scenes (1895)
  • The Way of Marriage (1896)
  • Unkist, Unkind! (1897)
  • The Human Interest – A Study in Incompatibilities (1899)
  • Affairs of the Heart (1900) stories
  • The Celebrity at Home (1904)
  • Sooner Or Later (1904)
  • The Cat (1905)
  • The Workaday Woman (1906)
  • White Rose Of Weary Leaf (1908)
  • The Wife of Altamont (1910)
  • The Life Story Of A Cat (1910)
  • Tales of the Uneasy (1911) stories
  • The Doll (1911)
  • The Governess (1912) with Margaret Raine Hunt
  • The Celebrity's Daughter (1913)
  • The Desirable Alien (1913) (with Ford Madox Hueffer)
  • The House of Many Mirrors (1915)
  • Zeppelin Nights: A London Entertainment (1916) with Ford Madox Hueffer
  • Their Lives (1916)
  • The Last Ditch (1918)
  • Their Hearts (1921)
  • Tiger Skin (1924) stories
  • More Tales of The Uneasy (1925) stories
  • The Flurried Years (1926) autobiography, (U.S., I Have This To Say)
  • The Wife of Rossetti – Her Life and Death (1932)
  • Return of the Good Soldier: Ford Madox Ford and Violet Hunt's 1917 Diary (1983) (with Ford Madox Ford)

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Famous quotes containing the word works:

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)

    “Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
    —Rebecca West (1892–1983)

    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
    —bell hooks (b. 1955)