Structure and Sound
The viola d'amore shares many features of the viol family. It looks like a thinner treble viol without frets and sometimes with sympathetic strings added. The 6 string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes. Like viols, it has a flat back. Intricately carved head at the top of the peg box are common on both viols and viola d'amores as well (although some viols lack them). Unlike viols, the head occurs often with blindfolded eyes to represent love. Its sound-holes are commonly in the shape of a flaming sword (suggesting a Middle Eastern influence in its development). This was one of the three usual sound hole shapes for viols as well. (The other two being f-holes for viols with "violin shape" and C-holes or flame holes on the "viol shaped" viols.) It is unfretted, and played much like a violin, being held horizontally under the chin. It is about the same size as the modern viola.
The viola d'amore usually has six or seven playing strings, which are sounded by drawing a bow across them, just as with a violin. In addition, it has an equal number of sympathetic strings located below the main strings and the fingerboard which are not played directly but vibrate in sympathy with the notes played. A common variation is six playing strings, and instruments exist with as many as fourteen sympathetic strings alone. Despite the fact that the sympathetic strings are now thought of as the most characteristic element of the instrument, early forms of the instrument almost uniformly lacked them. The first unambiguous reference to a viola d'amore without sympathetic strings does not occur until the 1730s. Both the types continued to be built and played through the 18th century.
Largely thanks to the sympathetic strings, the viola d'amore has a particularly sweet and warm sound. Leopold Mozart, writing in his Versuch einer gründlichen Violinschule, said that the instrument sounded "especially charming in the stillness of the evening."
The first known mention of the name 'viol d'amore' appeared in John Evelyn's Diary (20 November 1679): "for its swetenesse & novelty the Viol d'Amore of 5 wyre-strings, plaid on with a bow, being but an ordinary violin, play'd on Lyra way by a German, than which I never heard a sweeter Instrument or more surprizing..."
Read more about this topic: Viola D'amore
Famous quotes containing the words structure and, structure and/or sound:
“One theme links together these new proposals for family policy—the idea that the family is exceedingly durable. Changes in structure and function and individual roles are not to be confused with the collapse of the family. Families remain more important in the lives of children than other institutions. Family ties are stronger and more vital than many of us imagine in the perennial atmosphere of crisis surrounding the subject.”
—Joseph Featherstone (20th century)
“... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.”
—Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)
“It is not the sound made by victors, or the sound made by losers; it is the sound of revelers that I hear.”
—Bible: Hebrew, Exodus 32:18.