Works
A list of Fabrizi’s known works, together with genre, librettist, and date and place of first performance:
- I tre gobbi rivali (intermezzo, libretto by Carlo Goldoni, 1783, Naples)
- La ncessità non ha legge (opera buffa, 1784, Bologna)
- I due castellani burlati (opera buffa, libretto by Filippo Livigni, 1785, Bologna)
- La sposa invisibile (intermezzo, 1786, Rome)
- La contessa di Novara (opera buffa, libretto by Giovanni Bertati, 1786, Venice)
- L'amore per interesse (opera buffa, libretto by Giovanni Bertati, 1786, Padua)
- Chi la fa l'aspetti ossia I puntigli di gelosia (opera buffa, libretto by Filippo Livigni, 1786, Florence)
- La nobiltà villana (opera buffa, 1787, Rome)
- Gli amanti trappolieri (opera buffa, libretto by Giuseppe Palomba, 1787, Naples)
- Il convitato di pietra ossia il Don Giovanni (opera buffa, libretto by Giovanni Battista Lorenzi, 1787, Rome)
- Il viaggiatore sfortunato in amore (dramma giocoso, libretto by Bellani, 1787, Rome)
- Il caffè di Barcellona (opera buffa, 1788, Barcellona)
- Il Colombo e La scoperata delle Indie (farsa per musica, 1788, Rome)
- L'incontro per accidente ossia Il maestro di cappella (opera buffa, libretto by Giovanni Maria Diodati, 1788, Naples)
- Impresario in rovina (dramma giocoso, libretto by Antonio Piazza, 1797, Casale Monferrato)
Read more about this topic: Vincenzo Fabrizi
Famous quotes containing the word works:
“I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.”
—Richard Cobden (18041865)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (18171862)
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (16891761)