London
For seven years, Devi lived in London and worked as an art critic for the BBC's Portuguese-language service. It was during this period that Hologramas and Telepoemas were written. Here, far from Goa and the far-reaching transformation of Goan society into the Indian Union, Devi turns from the Goan themes and memories that animated her earlier work to a deep engagement with Western European culture and contemporary Anglophone poetry. For Mauro Neves, the period from Hologramas onwards "reflects the marked influence of Fernando Pessoa". Certainly, Major influences in her work that can be felt in her work, and to which she refers directly include, Fernando Pessoa and his heteronyms, but also (above all The Waste Land and 4 Quartets), Matthew Mead (principally Identities), Kingsley Amis (such as A case of samples), Alan Bold, Günter Grass, Blaise Cendrars, Paul Valéry, Cesare Pavese, Robert Creeley and other poets from the New Writing movement in the United States.
Read more about this topic: Vimala Devi
Famous quotes containing the word london:
“I dont care very much for literary shrines and haunts ... I knew a woman in London who boasted that she had lodgings from the windows of which she could throw a stone into Carlyles yard. And when I said, Why throw a stone into Carlyles yard? she looked at me as if I were an imbecile and changed the subject.”
—Carolyn Wells (18621942)
“The most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellent man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor.”
—Sir Arthur Conan Doyle (18591930)
“The Thirties dreamed white marble and slipstream chrome, immortal crystal and burnished bronze, but the rockets on the Gernsback pulps had fallen on London in the dead of night, screaming. After the war, everyone had a carno wings for itand the promised superhighway to drive it down, so that the sky itself darkened, and the fumes ate the marble and pitted the miracle crystal.”
—William Gibson (b. 1948)