History
It is believed that in pre-Christian times, the Baltic pagan god Perkūnas was worshiped at this location. It has also been postulated that the Lithuanian King Mindaugas ordered the construction of the original cathedral in 1251 after his conversion to Christianity and appointment of a bishop to Lithuania. Remains of the archaic quadratic church with three naves and massive buttresses have been discovered beneath the later layers in the late 20th century. After Mindaugas's death in 1263, it again became a place of pagan worship.
In 1387, the year in which Lithuania was officially converted to Christianity, a second Gothic style Cathedral with five chapels was begun and eventually constructed, but this cathedral burnt down in 1419. During the preparation for his coronation as King of Lithuania, Vytautas built a significantly larger Gothic Cathedral in its place; the Cathedral had three naves and four circular towers at its corners. Flemish traveler Guillebert de Lannoy noticed its similarity to the Frauenburg Cathedral. The walls and pillars of this cathedral have survived to this day. In 1522, the Cathedral was renovated, and the bell tower was built on top of the Lower Castle defensive tower. After the fire of 1530, it was rebuilt again and between 1534 - 1557 more chapels and the crypts were added. The Cathedral acquired architectural features associated with the Renaissance.
In 1529, Crown Prince of Poland and future king Sigismund II Augustus, was crowned Grand Duke of Lithuania in the Cathedral. After the fire of 1610, it was rebuilt again, and the two front towers were added. The Cathedral was damaged during the war of 1655. It was renovated and decorated several more times.
Between 1623 - 1636, at the initiative of Sigismund III Vasa and later completed by his son Wladyslaw IV Vasa, the Baroque style Saint Casimir chapel by royal architect Constantino Tencalla was built of Swedish sandstone. Its interior was reconstructed in 1691-1692 and decorated with frescoes by Michelangelo Palloni, the altar and stuccowork by Pietro Perti. This chapel contains sculpted statutes of Jagiellon kings and an epitaph with Wladyslaw IV Vasa's heart. More than anything in the Cathedral this chapel symbolizes the glory of Polish-Lithuanian union and common history.
In 1769 the southern tower built during the reconstruction of 1666 has collapsed, destroying the vaults of the neighbouring chapel and killing 6 people. After the damage, Bishop of Vilnius Ignacy Jakub Massalski ordered the reconstruction of the Cathedral. The works started in 1779 and were completed in 1783, and the interior was completed in 1801. The Cathedral was reconstructed to its present appearance according to the design of Laurynas Gucevičius in the Neoclassical style; the church acquired its strict quadrangular shape and the plan inherent to local public buildings. The main facade was adorned with sculptures of the Four Evangelists by Italian sculptor Tommaso Righi. Some scholars point to the architectural resemblance of the cathedral to the works of Andrea Palladio or see the influence of Gucevičius's tutor Claude Nicolas Ledoux. The influence of the Palladian architecture is evident in side facades of the building. The lack of 'purity' of the Classical architecture due to incorporation of Baroque style sculptures and other elements was later criticised by academical architects, notably Karol Podczaszyński.
Between 1786 and 1792 three sculptures by Kazimierz Jelski were placed on roof of the Cathedral - Saint Casimir on the south side, Saint Stanislaus on the north and Saint Helena in the centre. These sculptures were removed in 1950 and restored in 1997. Presumably the sculpture of St. Casimir originally symbolised Lithuania, that of St. Stanislaus symbolised Poland, and that of St. Helena symbolised Russia's dominance.
In 2002 work officially began to rebuild the Royal Palace of Lithuania behind the Cathedral. The newly erected palace building will considerably alter the context of the Cathedral.
The Cathedral and the belfry were thoroughly renovated from 2006 to 2008. The facades have been covered with fresh multicolor paintwork, greatly enhancing the external appearance of the buildings and their elements which had not been renovated since the Restoration of Lithuania's independence in 1990.
Read more about this topic: Vilnius Cathedral
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