Introduction
The plan of the Villa Mairea is a modified L-shape of the kind Aalto had used before. It is a layout which automatically created a semi-private enclosure to one side, and a more exclusive, formal edge to confront the public world on the other. The lawn and the swimming pool are situated in the angle of the L, with a variety of rooms overlooking them. Horizontals and overhangs in the main composition echo the ground plane, and the curved pool weds the nearby forest topography. In contrast to these softening devices, the main facade has a more rigid, formal mood, and even possesses a canopy restated in a garden pergola vocabulary of bindings, poles and slats. The interiors of the Villa Mairea are richly articulated in wood, stone and brick. The spaces vary in size from the grand to the cabin-like.
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Famous quotes containing the word introduction:
“Such is oftenest the young man’s introduction to the forest, and the most original part of himself. He goes thither at first as a hunter and fisher, until at last, if he has the seeds of a better life in him, he distinguishes his proper objects, as a poet or naturalist it may be, and leaves the gun and fish-pole behind. The mass of men are still and always young in this respect.”
—Henry David Thoreau (1817–1862)
“Do you suppose I could buy back my introduction to you?”
—S.J. Perelman, U.S. screenwriter, Arthur Sheekman, Will Johnstone, and Norman Z. McLeod. Groucho Marx, Monkey Business, a wisecrack made to his fellow stowaway Chico Marx (1931)
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—Anonymous Stepparent. Making It as a Stepparent, by Claire Berman, introduction (1980, repr. 1986)