Viktor Suslin - Works

Works

  • Music for Children for piano (1961)
  • Violin Sonata (1962)
  • String Quartet (1963)
  • Japanese Songs for baritone and piano (1964)
  • Five pieces for piano (1965)
  • Poem for orchestra (1966)
  • Piano concerto (1966)
  • Piano Sonata (1968)
  • Violin Concerto (1969)
  • Sinfonia piccolo for orchestra (1970)
  • Trio-Sonata for flute, guitar and cello (1971)
  • Three Choruses after Daniil Kharms (1972)
  • Gioco Appassionato for 4 violas (1974)
  • Patience for 2 pianos (1974)
  • Mitternachtsmusik (Midnight Music) for volin, harpsichords and double bass (1977)
  • Poco a poco II, Organ Sonata No.1 (1978)
  • Terrarium for percussion ensemble (1978)
  • Leb’ wohl for orchestra (1982)
  • In My End is My Beginning, Organ Sonata No.2 (1983)
  • Sonata per violoncello e percussione (1983)
  • Chanson contre raison, Sonata for solo cello (1984)
  • Sonata Capricciosa for viola and harpsichord (1986)
  • Lamento for Organ (1989)
  • Crossing Beyond for viola, cello and double bass (1990)
  • Le deuil blanc (White Mourning) for bass flute, guitar, cello and percussions (1994)
  • Cello Concerto (1996)
  • Two Pieces for piano (1996)
  • Hommage à "Hortus" by a Musicus for an ensemble of Renaissance instruments (1996)
  • Morgendämmerungsmusik (Morning Twilight Music) for double bass (1997)
  • Madrigal for two cellos (1998)
  • Ton H for cello and piano (2001)
  • Raga for double bass and organ (2006)

Read more about this topic:  Viktor Suslin

Famous quotes containing the word works:

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)

    Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.
    Henry David Thoreau (1817–1862)

    Evil is something you recognise immediately you see it: it works through charm.
    Brian Masters (b. 1939)