Opinions From The Art World of The Early 21st Century
According to an annotation from what is most likely the Troja Chateau gallery in Prague:
- "The youngest artist at Troja is Viktor Oliva. He was primarily a graphic artist. His dust covers, book bindings and posters are among the best examples of Czech applied graphic art of the 1890s. In addition, however, he painted several ceilings and decorations for a number of Prague cafes. The entire work bespeaks the influence of French fin de siecle art, which is also a characteristic of Oliva's portraits."
According to the catalog of Czech art auction house Meissner-Neumann:
- "Czech painter and illustrator, he studied under F. Sequens at the Academy of Art in Prague, then in Munich and Paris. He was influenced by the work of his friend L. Marold. He created chiefly portraits and large-scale paintings following the historicizing stream in art. His portraits and large number of illustrations for books by Czech and European authors as well as his poster designs testify to the contemporary life style based on the Art Nouveau style."
Read more about this topic: Viktor Oliva
Famous quotes containing the words opinions, art, world, early and/or century:
“The public buys its opinions as it buys its meat, or takes in its milk, on the principle that it is cheaper to do this than to keep a cow. So it is, but the milk is more likely to be watered.”
—Samuel Butler (18351902)
“Art and science coincide insofar as both aim to improve the lives of men and women. The latter normally concerns itself with profit, the former with pleasure. In the coming age, art will fashion our entertainment out of new means of productivity in ways that will simultaneously enhance our profit and maximize our pleasure.”
—Bertolt Brecht (18981956)
“My impression about the Panama Canal is that the great revolution it is going to introduce in the trade of the world is in the trade between the east and the west coast of the United States.”
—William Howard Taft (18571930)
“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose its an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”
—Eudora Welty (b. 1909)
“Youve strung your breasts
with a rattling rope of pearls,
tied a jangling belt
around those deadly hips
and clinking jewelled anklets
on both your feet.
So, stupid,
if you run off to your lover like this,
banging all these drums,
then why
do you shudder with all this fear
and look up, down;
in every direction?”
—Amaru (c. seventh century A.D.?, Kashmirian king, compiler, author of some of the poems in the anthology which bears his name. translated from the Amaruataka by Martha Ann Selby, vs. 31, Motilal Banarsidass (1983)