Artistic Dress Movement
The Pre-Raphaelite Brotherhood and other artistic reformers objected to the elaborately trimmed confections of Victorian fashion with their unnatural silhouette based on a rigid corset and hoops as both ugly and dishonest. Their wives and models adopted a revival style based on romanticised medieval influences such as puffed juliette sleeves and trailing skirts. These were made in the soft colors of vegetable dyes, and were ornamented with hand embroidery in the art needlework style.
The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where the emphasis was not so much on honesty and purity as sensuality and languor.
Read more about this topic: Victorian Dress Reform
Famous quotes containing the words artistic, dress and/or movement:
“Persons grouped around a fire or candle for warmth or light are less able to pursue independent thoughts, or even tasks, than people supplied with electric light. In the same way, the social and educational patterns latent in automation are those of self- employment and artistic autonomy.”
—Marshall McLuhan (1911–1980)
“Sweden,
what makes the people dress that way
and those who see you wish to stay?”
—Marianne Moore (1887–1972)
“What stunned me was the regular assertion that feminists were “anti-family.” . . . It was motherhood that got me into the movement in the first place. I became an activist after recognizing how excruciatingly personal the political was to me and my sons. It was the women’s movement that put self-esteem back into “just a housewife,” rescuing our intelligence from the junk pile of “instinct” and making it human, deliberate, powerful.”
—Mary Kay Blakely (20th century)