Writing
Aged 14, she had a short story published under a pseudonym in Just Seventeen magazine and then won a competition in The Daily Telegraph to write a column about teenage life for their "Weekend" section, which she continued writing for several years.
Her books include Love 16 and Once More, with Feeling, about her attempt (with co-author Charlie Skelton) to make the best hardcore porn movie ever. This came off the back of their jobs reviewing porn films for the Erotic Review—a job which led them to believe that most of what they were watching was terrible and that they could make better films themselves.
Coren adapted the newspaper columns of John Diamond into a play called A Lump in my Throat which was performed at the Assembly Rooms in Edinburgh, the Grace Theatre and New End Theatre in London, before Coren adapted it again for a TV play on BBC2 starring Neil Pearson.
Victoria and Giles Coren wrote an introduction to Chocolate and Cuckoo Clocks, an anthology of the best comic writing by their father Alan Coren, published by Canongate in October 2008.
Her poker memoir For Richer, For Poorer: A Love Affair with Poker was published in September 2009, and was well reviewed in The Times and The Observer, as well as other places.
Read more about this topic: Victoria Coren
Famous quotes containing the word writing:
“The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.”
—Günther Grass (b. 1927)
“A man who publishes his letters becomes a nudist—nothing shields him from the world’s gaze except his bare skin. A writer, writing away, can always fix himself up to make himself more presentable, but a man who has written a letter is stuck with it for all time.”
—E.B. (Elwyn Brooks)
“In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.”
—Ralph Waldo Emerson (1803–1882)