Technique
A vehicular cyclist is a cyclist who generally travels within the roadway in accordance with the basic vehicular rules of the road that are shared by all drivers and adhering to traffic controls. Vehicular cyclists, Forester advises, should feel and act like vehicle drivers, albeit the drivers of narrow and relatively low-powered vehicles.
In Effective Cycling, Forester introduces what he calls "the five basic principles of cycling in traffic".
- Ride on the road, with the direction of traffic.
- Yield to crossing traffic at junctions with larger roads.
- Yield to traffic in any lane you are moving to, or when you are moving laterally on the road.
- Position yourself appropriately at junctions when turning - near the curb when turning off the road on the side you are travelling on, near the center line when turning across the other side of the road, and in the center when continuing straight on.
- Ride in a part of the road appropriate to your speed; typically, faster traffic is near the center line.
Vehicular cycling theory specifies the position, motion and behavior of cyclists, and sets out several techniques for them to use.
Read more about this topic: Vehicular Cycling
Famous quotes containing the word technique:
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—Rebecca West (18921983)
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when its more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (18941963)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)