Veedon Fleece - Recording

Recording

In 1978, Morrison recalled that he recorded the songs about four weeks after writing them: "Veedon Fleece was a bunch of songs that I wrote and then I just recorded it about four weeks after I wrote it. When you make an album you write some songs; you might have four songs and maybe you write two more, suddenly you've got enough songs for an album. According to the drummer Dahaud Shaar, the tracks were laid down in a very informal manner: "During that time I kinda haunted the studio, and Van would come in and we'd just do tracks." David Hayes recalled about the recording sessions: "Every night for about a week he came in with two or three new tunes and we just started playing with him." Jim Rothermel also recalled that during the California recording sessions for the album the songs were often a first take and that the band members had sometimes not heard the songs previously. The strings and woodwinds were arranged by Jef Labes in a New York studio. The song "Come Here My Love" was inspired during the week of the sessions and another song "Country Fair" was left over from the Hard Nose the Highway album and provided a fitting sense of closure. "Bulbs" and "Cul de Sac" were recut in New York later with musicians with whom Morrison had never worked before: guitarist John Tropea, bassist Joe Macho and drummer Allen Schwarzberg. Given a rock music treatment, these songs were released as the single for the album."

Read more about this topic:  Veedon Fleece

Famous quotes containing the word recording:

    He shall not die, by G—, cried my uncle Toby.
    MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.
    Laurence Sterne (1713–1768)

    I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
    Henry Miller (1891–1980)

    Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.
    Jane Heap (c. 1880–1964)