Variations On The Death of Trotsky - Synopsis

Synopsis

The play is divided into eight scenes or "variations", each depicting a differing final moment of Trotsky's life and making satirical allusions to soap opera conventions, The Honeymooners, and Act 5, Scene 1 from Hamlet. True to its title, the play calls for Trotsky to die at the end of each scene, and then continues on (after the ring of a bell) from near where the last scene left off, usually progressing the story a bit further each time. Since the play takes place on the day of Trotsky's death (one day after the attack) Trotsky is depicted throughout the show with a mountain-climber's ax sticking comically out of his skull (not an icepick, as is made clear a number of times). Though this is apparent to the audience from the very beginning, Trotsky himself does not realize that the ax is there until his wife, known only as Mrs. Trotsky, comes in with an encyclopedia from the future which tells of Trotsky's demise. The third and final character is introduced near the end of the play: Ramon Mercader, the Spanish assassin who "smashed, not buried" the ax into Trotsky's skull. Trotsky has a deep fear of icepicks, and is taken aback when he finds that his fear should have been directed towards mountain-climber axes.

After seven essentially comedic variations, the eighth involves Trotsky seeing Mercader out of the house in a civil manner, with Ramon—having posed as a gardener—revealing that he actually did perform some gardening on Trotsky's property and requesting that Trotsky go outside to admire his nasturtiums. Trotsky then comes to grips with the facts of his impending demise, settling affairs with his wife, pondering the nature of man and humanity ("So even an assassin can make the flowers grow") and reciting some future events that he will never live to know about. Finally he declares that he is in his "last room", though Mrs. Trotsky tries to explain that he is, in fact, unconscious in a hospital. Trotsky accepts that he is fortunate just to have lived for another day after the attack—that this seems to be symbolic of some sort of hope concerning human life. He decides to go look at the garden that Ramon had tended to, but before he can, he dies for the final time.