Vampires in Popular Culture - Music

Music

  • Alternative rock band HIM has a song called "Vampire Heart" on their Dark Light album.
  • Concrete Blonde has a song titled "Bloodletting (The Vampire Song)" on their Bloodletting album.
  • My Chemical Romance has a song titled "Vampires Will Never Hurt You" on their debut album, I Brought You My Bullets, You Brought Me Your Love.
  • Ash has a song entitled "Vampire Love" on their album Meltdown.
  • Nox Arcana recorded the album Transylvania based on Bram Stoker's Dracula.
  • The folk band Antsy Pants has a song entitled "Vampire" on their debut album "Antsy Pants".
  • Draconian is a death metal band with issues facing vampires.
  • Xandria, plays a song called vampire.
  • Blue Öyster Cult have a song titled "Nosferatu". It is the last track on the original release of their Spectres album.
  • The Vocalist (Kamijo) of the Japanese Visual Kei band, Versailles, says his look is influenced by the appearance of a vampire.
  • Cuban singer Lissette has a song title "Vampiro" on their 1989 album Maniqui.
  • Theatres des Vampires is a Gothic Black Metal band fully concentrating on vampire themes.
  • Cult dark punk group Vampire Lovers (band) recorded a live video clip during 1988 of their song "Drink my blood, Suck my veins". The song held the No.1 position in the song section of a Goth/Vampire social networking site called "Vampire Rave” for six weeks between April and May 2012.

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Famous quotes containing the word music:

    “I am advised to give her music a’ mornings; they say it will
    penetrate.”
    —William Shakespeare (1564–1616)

    “While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
    —Paul Johnson (b. 1928)

    “In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
    —Laurence Sterne (1713–1768)