V. Manohar - Career

Career

Manohar has composed music for over 100 Kannada movies such as O Mallige, Indra Danush, Janumada Jodi, Tharle Nan Maga, Swasthick, Duniya, Ee Sambhaashane, Banda nan Ganda, Janumada Gelathi, and Mathadana. His son "Kolu Mande" from the movie Janumada Jodi is considered to be one of the most successful Kannada songs of the 90s. The song "Kariya I Love you" from the movie "Duniya" is one of his biggest hits. He has also composed music and title songs for popular television serials Danda Pindagalu, Prema Pishachigalu, Daridra Lakshmiyaru directed by Pani Ramchandra and Pa pa Pandu, Silli Lalli and other comedy serials by Sihi Kahi Chandru.

His first song as a lyricist was "Hodeya Doora Oh Jothegaara" from the movie Anubhava which went on to become one of the most evergreen popular Kannada songs. From then on, he has written for over 1000 songs and earned much fame as a leading lyricist of Kannada cinema.

Besides composing and lyric writing, Manohar has tried his hand on the film direction as well. His debut film as a director was the hugely popular O Mallige starring Ramesh Aravind and Charulatha. This film ran for more than 100 days across Karnataka cinemas. He has thus far directed three films.

Read more about this topic:  V. Manohar

Famous quotes containing the word career:

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)