Career
Urbanus, artist's name of Urbain Joseph Servranckx (Dilbeek, June 7, 1949) is a Flemish comedian, singer, guitarist, author of comic books and actor. Originally he used the artist name: Urbanus van Anus. Anus was the name of his former backing group.
In Flanders and the Netherlands Urbanus is well-known and very popular since 1974. Although he's most famous as comedian, some of his songs became famous and were massively played. Such as Bakske vol met stro (1979), Madammen met een bontjas (1980) and Hittentit (1982).
Until 2008 there were three films in which he played the leading role, Hector (1987), Koko Flanel (1990) and Seventh Heaven. The two first films were the leaders in the Flemish box offices for many years. His first movie Hector (directed by Stijn Coninx) won the 1988 international comedy film festival in Chamrousse, France. He also was named best actor by Radio France and Dauphiné Libéré. Seventh Heaven was a box office bomb.
More recently, Urbanus lend his voice for the Flemish versions of the Pixar movies, Cars and Cars 2, where he was the voice of the character Mater.
In 1984, Urbanus and Willy Linthout began writing comic books with an adolescent version of Urbanus himself as the main character. As of 2007, more than 121 such comic books have been published. He's also productive scenarist of the series De Geverniste Vernepelingskes, Plankgas en Plastronneke and Mieleke Melleke Mol.
For his political comments during the 2007 Belgian government formation crisis, he received the Prize of Liberty, an annual award delivered by the think tank Nova Civitas, in January 2008.
His humoristic style can be described as absurd, folksy, subversive, anarchic, childish, morbid, sometimes vulgar and populist.
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Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)