Plot
A group of terrorists led by Commander Topov (Zahary Baharov) kidnap the Ukainian prime minister's son and daughter and hold them hostage, demanding the release of their imprisoned comrades within 72 hours. In addition, they have taken over the crippled Chernobyl Nuclear Power Plant and threaten to detonate it if their demands are not met. It is revealed that among the ranks of the terrorists is an experimental Next-Generation UniSol (NGU) (Andrei Arlovski), who was smuggled in by rogue scientist Dr. Colin (Kerry Shale). U.S. forces join up with the Ukrainian army at the plant, but quickly retreat when the NGU slaughters most of them effortlessly. Dr. Porter (Garry Cooper), Dr. Colin's former colleague on the Universal Soldier program, revives four UniSols to take down the NGU, but they are systematically eliminated.
Former UniSol Luc Deveraux (Jean-Claude Van Damme), who is undergoing rehabilitation therapy in Switzerland with Dr. Sandra Fleming (Emily Joyce) with the goal of rejoining society, is taken back by the military to participate in the mission. As the deadline nears its expiration, the prime minister announces the release of the prisoners. The terrorists, having gotten what they wanted, rejoice and shut off the bomb. Dr. Colin, however, is not pleased with the outcome, as he feels his side of the business is not done. As the NGU is programmed not to harm the terrorists, Dr. Colin unleashes his second UniSol: a cloned and upgraded version of Andrew Scott (Dolph Lundgren) - Deveraux's nemesis - who quickly kills Commander Topov. However, Dr. Colin never considered Scott's mental instability, and he is killed by his own creation. Scott then reactivates the bomb before heading out to hunt the children.
In the midst of the chaos, Capt. Kevin Burke (Mike Pyle) is sent in to infiltrate the plant and rescue the prime minister's children. He is successful in locating them and leads them toward safety. On their way out, they encounter the NGU. The children flee as Burke tries in vain to hold off the NGU, who stabs him to death after a brutal fight.
With 30 minutes remaining on the bomb's timer, a re-conditioned Deveraux is geared up and sent to the plant, where he kills every terrorist he encounters. He searches the buildings and finds the children cornered by Scott. Scott, who has distorted memories of Deveraux, is about to kill the children when Deveraux attacks and a grueling fight ensues. In the end, Deveraux impales Scott on the forehead with a lead pipe and fires a shotgun through it, blowing his brains out.
As Deveraux escorts the children to safety, they are attacked by the NGU. Deveraux and the NGU take the fight to the site of the bomb, with less than two minutes remaining. During the melee, Deveraux removes the detonator and jams it in the back of the NGU's uniform as they both jump out of the reactor chamber. NGU pulls the detonator off his back as it explodes, taking him with it. U.S. soldiers quickly arrive on the scene and tend to the children as Deveraux leaves. Burke's body is placed in a black bag and taken away, as well as recovered pieces of the NGU.
In Langley, Virginia, Burke's body is shown stored in a cryogenic chamber as a new UniSol, along with multiple clones made of him.
Read more about this topic: Universal Soldier: Regeneration
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)