Notable Universal Monsters/characters
- Mr. Hyde (Dr. Jekyll)
- The Hunchback of Notre Dame (Quasimodo)
- The Phantom of the Opera (Erik)
- Count Dracula
- Brides of Dracula
- Frankenstein's Monster
- Dr. Frankenstein
- The Mummy (Imhotep)
- The Mummy (Kharis)
- The Invisible Man (Dr. Jack Griffin)
- The Monster's Mate (Bride of Frankenstein)
- Werewolf of London (Dr. Wilfred Glendon)
- She-Wolf of London (Phyllis Allenby)
- Ygor
- Invisible Woman
- The Wolf Man (Larry Talbot)
- Count Alucard
- The Ape Woman
- Creature (Gill-man)
- The Metaluna Mutant
- The Mole Man
- The Creeper
- The Mad Ghoul (Ted Allison)
- Neanderthal (Professor Donald Blake)
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Famous quotes containing the words notable, universal, monsters and/or characters:
“Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when its more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
—Aldous Huxley (18941963)
“Exporting Church employees to Latin America masks a universal and unconscious fear of a new Church. North and South American authorities, differently motivated but equally fearful, become accomplices in maintaining a clerical and irrelevant Church. Sacralizing employees and property, this Church becomes progressively more blind to the possibilities of sacralizing person and community.”
—Ivan Illich (b. 1926)
“Weve forgotten what its like not to be able to reach the light switch. Weve forgotten a lot of the monsters that seemed to live in our room at night. Nevertheless, those memories are still there, somewhere inside us, and can sometimes be brought to the surface by events, sights, sounds, or smells. Children, though, can never have grown-up feelings until theyve been allowed to do the growing.”
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“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)