History
In 1904, UE acquired Aibl publishers, and so acquired the rights to many works by Richard Strauss and Max Reger, but it was the arrival of Emil Hertzka as managing director in 1907 (who remained until his death in 1932) which really pushed the firm towards new music. Under Hertzka, UE signed contracts with a number of important contemporary composers, including Béla Bartók and Frederick Delius in 1908; Gustav Mahler and Arnold Schoenberg in 1909 (Mahler's Symphony No. 8 was the first work UE acquired an original copyright to); Anton Webern and Alexander von Zemlinsky in 1910; Karol Szymanowski in 1912, and Leoš Janáček in 1917. Through their association with Schoenberg, they also published many works by Alban Berg.
The firm's avant garde directions continued after World War II, when UE published works by a number of significant composers, among them Luciano Berio, Pierre Boulez, Morton Feldman, Mauricio Kagel, György Kurtág, György Ligeti and Karlheinz Stockhausen. Later important additions to the catalogue include Georg Friedrich Haas, Wolfgang Rihm, Cristóbal Halffter, Robert Aitken, Richard Rodney Bennett, Harrison Birtwistle, Georges Lentz, Johannes Maria Staud, John Rea, Jay Schwartz, Arvo Pärt and Friedrich Cerha.
UE have also published several significant historical editions, including the complete works of Claudio Monteverdi. In collaboration with Schott, they have published the Wiener Urtext Edition series since 1972. Originally consisting of works for one or two performers by composers from Johann Sebastian Bach to Johannes Brahms, the series was later expanded to include a limited number of later works, such as the Ludus Tonalis of Paul Hindemith.
Read more about this topic: Universal Edition
Famous quotes containing the word history:
“The history of medicine is the history of the unusual.”
—Robert M. Fresco, and Jack Arnold. Prof. Gerald Deemer (Leo G. Carroll)
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
—Camille Paglia (b. 1947)
“What is most interesting and valuable in it, however, is not the materials for the history of Pontiac, or Braddock, or the Northwest, which it furnishes; not the annals of the country, but the natural facts, or perennials, which are ever without date. When out of history the truth shall be extracted, it will have shed its dates like withered leaves.”
—Henry David Thoreau (1817–1862)