Architecture
The impressive exterior of the U.S. Custom House retains its original design, which includes modified Greek and Egyptian Revival elements. The immense four-story building occupies the full trapezoidal downtown city block bounded by Canal, North Peters, Iberville, and Decatur Streets. Due to the shape of the lot, the corner of the building at Canal and North Peters Streets is rounded. The majority of the building is constructed of brick sheathed in gray granite from Quincy, Massachusetts; however, the entablature material is cast iron.
Each of the four facades is similar in design. In the center of each facade is a projecting pavilion consisting of four round, fluted, modified Egyptian, engaged columns. The first floor of the structure is faced with rusticated granite stonework. The cast-iron entablature contains widely spaced triglyphs (three vertical bands) in the frieze and dentils (small square blocks) in the cornice, and supports a triangular pediment above the central portico on each facade. Near both ends of each facade is a slightly projecting bay composed of four modified Egyptian pilasters supporting the entablature.
On the first story of the exterior of the U.S. Custom House are a series of blind (vacant) niches, six on each facade. The original architect intended these niches to hold heroic statues of famous Americans. When the plans for the exterior were later simplified, the idea of installing statuary was abandoned.
The floor plan of the U.S. Custom House is arranged around an impressive Greek Revival room known as the Marble Hall, one of the first such rooms in the country. This room is ornamented with Corinthian columns that depict the heads of the mythological god Mercury, guardian of boundaries, commerce, and roads, and the goddess Luna, whose crescent moon-shaped brow symbolizes the city's location at the crescent bend of the Mississippi River. The columns support a full classical entablature with an ornamented cornice and floral cresting. A deep cove above the cornice supports a sophisticated geometrically composed skylight. Over the entrance at the North Peters Street end of the hall are sculptures depicting founder of New Orleans, Sier de Bienville; General Andrew Jackson; and the pelican, the traditional symbol of Louisiana.
In 1916, the building underwent major renovations following the move of the post office and courts to a new facility on Lafayette Square. Recent GSA restoration efforts have successfully recaptured the historic appearance of the building, exposing original components, such as vaulted ceilings, and replicating missing or deteriorated interior elements and finishes, such as the skylight over the stairs.
Read more about this topic: United States Custom House (New Orleans)
Famous quotes containing the word architecture:
“They can do without architecture who have no olives nor wines in the cellar.”
—Henry David Thoreau (1817–1862)
“No architecture is so haughty as that which is simple.”
—John Ruskin (1819–1900)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)