Under The Red Sky - Reception

Reception

Professional ratings
Review scores
Source Rating
Allmusic
Robert Christgau A−
Entertainment Weekly (C)
Rolling Stone

Dylan has echoed most critics' complaints, telling Rolling Stone in a 2006 interview that the album's shortcomings resulted from hurried and unfocused recording sessions, due in part to his activity with the Traveling Wilburys at the time. He also claimed that there were too many people working on the album, and that he was very disillusioned with the recording industry during this period of his career.

Dylan critic Patrick Humphries, author of The Complete Guide to the Music of Bob Dylan, was particularly harsh in his assessment of Under the Red Sky, stating the album "was everything Oh Mercy wasn't—sloppily written songs, lazily performed and unimaginatively produced. The first bridge of "2 X 2" ("How much poison did they inhale?") was reminiscent of the menace which pervaded Oh Mercy, but otherwise, where before there had been certainty and sureness, here was confusion and indecision."

Humphries saved his harshest attack for the album's opening song, "Wiggle Wiggle":

Then there's "Wiggle Wiggle": worse than anything Dylan has ever recorded? Maybe not that bad, but certainly up there, jostling for position in that particular part of hell, where the jukebox plays nothing but "Joey" (from Desire) and "Had a Dream About You, Baby" (from Down in the Groove). "Wiggle Wiggle" was the one the critics jumped on, particularly the line "Wiggle wiggle wiggle like a bowl of soup", which was taken as proof positive that Dylan had lost it, definitely, permanently, irrevocably. It was hard to disagree—it is hard to reconcile such a line with the man who wrote "Desolation Row" (from Highway 61 Revisited). Of course, you can't get Hamlet or "Like a Rolling Stone" every time out of the traps, but "Wiggle Wiggle"?

The album did have some critical support, particularly from Robert Christgau of The Village Voice, who wrote "To my astonishment, I think Under the Red Sky is Dylan's best album in 15 years, a record that may even signal a ridiculously belated if not totally meaningless return to form...It's fabulistic, biblical...the tempos are postpunk like it oughta be, with Aronoff's sprints and shuffles grooving ahead like '60s folk-rock never did." And Paul Nelson, writing for Musician, called the album "a deliberately throwaway masterpiece." When the Voice held its Pazz & Jop Critics Poll for 1990, Under the Red Sky placed at #39.

In the end, album sales were disappointing, peaking at #38 on the US charts and #13 in the UK. According to the book Down The Highway: The Life Of Bob Dylan, the disappointing record sales of this album made him depressed. On top of that, Dylan's second wife had just signed for divorce in August 1990.

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