UK Hard House - Sound

Sound

Proper hard house is typified by a set formula of up-tempo house music compressed kick drums, signature style off-beat basslines (often referred to as a 'donk') and the use of 'hoover' type sounds. In contempt of the name it shares some parts in style with house music, but borrows elements heavily from trance music (synths and sometimes breakdown formula) plus oldskool/hardcore/rave music (hoover sounds, rap samples). Generally, hard house is part of a wider group of styles called Hard Dance and has little in common with the modern trance or house scenes going for a stronger storm sound. Hard Dance also encompasses NRG or Hard NRG, which UK Hard House is often confused for. However, the two have some variance from each other, and are considered two separate genres by Hard Dance enthusiasts.

Ishkur's Guide to Electronic Music does not have an entry for Hard House, it lists only NRG which a sub-genre of hard house, sometimes referred to as "filth" for its darker, menacing, harder and more twisted sound

Hard House is similar to, but distinct from Hardstyle. Confusion can sometimes arise as some club nights and events will play both Hardstyle and Hard House. This may be due to the fact that Hardstyle is quite well known across western europe, where as Hard House has only ever had a limited audience outside of the UK, so there is more new music being released on the Hardstyle scene

Read more about this topic:  UK Hard House

Famous quotes containing the word sound:

    Is there no hope for me? Is there no way
    That I may sight and check that speeding bark
    Which out of sight and sound is passing, passing?
    Paul Laurence Dunbar (1872–1906)

    There was a sound of revelry by night,
    And Belgium’s capital had gathered then
    Her beauty and her chivalry, and bright
    The lamps shone o’er fair women and brave men;
    A thousand hearts beat happily; and when
    Music arose with its voluptuous swell,
    Soft eyes looked love to eyes which spake again,
    And all went merry as a marriage-bell;
    But hush! hark! a deep sound strikes like a rising knell!
    George Gordon Noel Byron (1788–1824)

    the children call, and I
    Thy shepherd pipe, and sweet is every sound,
    Sweeter thy voice, but every sound is sweet;
    Myriads of rivulets hurrying through the lawn,
    The moan of doves in immemorial elms,
    And murmuring of innumerable bees.’
    Alfred Tennyson (1809–1892)