Career
Uhm Ji-won made her debut in the late 1990s, and after an early role in the Korean tokusatsu series Vectorman, went on to appear in a number of films and television drama series. In 2004, she appeared alongside Han Suk-kyu and Lee Eun-ju in The Scarlet Letter, receiving a nomination for Best Supporting Actress at the 25th Blue Dragon Film Awards.
In 2005, Uhm played a leading role in Hong Sang-soo's Tale of Cinema, and was praised for giving an "engaging, emotionally nuanced dual performance" as fictional actress Choi Young-shil. The film required her to perform her first nude scene, and she later remarked that, "After stripping in front of the camera, I felt that I could now take any role".
Uhm starred alongside Yoo Ji-tae and Kim Ji-soo in the 2006 film Traces of Love, portraying a survivor of the 1995 Sampoong Department Store collapse who still suffers from psychological trauma years later. She prepared for the role by studying news and documentaries of the event, as well as reading through various psychology texts. Uhm was once again nominated for Best Supporting Actress at the Blue Dragon Film Awards, and later won the same category at the 15th Chunsa Film Art Awards.
She had a small role in director Kim Ji-woon's epic western The Good, the Bad, the Weird. She returned to the small screen in the 2010 romantic comedy The Woman Who Still Wants To Marry.
Uhm appeared an episode of BBC World's The Third Eye, a documentary series that spotlights up-and-coming countries. The installment of the eight-part segment on Korea is interspersed with interviews with Uhm giving her opinions on Korean culture, domestic movies and the Korean Wave. It also featured footage from her 2010 movie Foxy Festival. Uhm, who was interviewed in Korea, was chosen in light of her impressive acting skills, natural charm and English fluency, producers said.
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Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)