Career
In 1950, Tognazzi made his cinematic debut in I cadetti di Guascogna directed by Mario Mattoli. The following year, he met Raimondo Vianello, with whom he formed a successful comedy duo for the new-born RAI TV (1954–1960). Their shows, sometimes containing satirical material, were among the first to be censored on Italian television.
After the successful role in The Fascist (Il Federale) (1961), directed by Luciano Salce, Tognazzi became one of the most renowned characters of the so-called Commedia all'Italiana (Italian comedy style). He worked with all the main directors of Italian cinema, including Mario Monicelli (Amici miei), Marco Ferreri (La grande abbuffata), Carlo Lizzani (La vita agra), Dino Risi, Pier Paolo Pasolini (Pigsty), Ettore Scola, Alberto Lattuada, Nanni Loy, Pupi Avati and others. Tognazzi also directed some of his films, including the 1967 film Il fischio al naso. The film was entered into the 17th Berlin International Film Festival.
He was a well-known actor in Italy, and starred in several important international films, which brought him fame in other parts of the world.
Roger Vadim cast Tognazzi as Mark Hand, the Catchman, in Barbarella (1968). He rescues Barbarella (Jane Fonda) from the biting dolls she encounters, and after her rescue, he requests payment by asking her to make love with him (the "old-fashioned" way, not the psycho-cardiopathic way of their future).
In 1981, he won the Best Male Actor Award at the Cannes Film Festival for La tragedia di un uomo ridicolo, directed by Bernardo Bertolucci. While he worked primarily in Italian cinema, Tognazzi is perhaps best remembered for his role as Renato Baldi, the gay owner of a St. Tropez nightclub, in the 1978 French comedy La Cage aux Folles which became the highest grossing foreign film ever released in the U.S.
Read more about this topic: Ugo Tognazzi
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)