Turkish folk music (Türk Halk Müziği) combines the distinct cultural values of all civilisations that have lived in Anatolia and the past territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It was the most popular music genre in the Ottoman Empire era. After the foundation of Turkish Republic, Atatürk made a wide-scale classification and archiving of samples of Turkish folk music from around Anatolia was launched in 1924 and continued until 1953 to collect around 10,000 folk songs. In the 60's, Turkish folk music met with radio and folk musicians like Aşık Veysel, Neşet Ertaş, Bedia Akartürk became the most popular names of the Turkish folk music. In the 1970's and 80's, with the rising popularity of arabesque and Turkish light western, Turkish folk music has lost its old prestige, but singers like Belkıs Akkale, İzzet Altınmeşe, Selda Bağcan and Arif Sağ made successful hit songs and became important representatives of the genre.
Read more about Turkish Folk Music: Varieties of Style, Scales, and Rhythm, Uses of Music, Samples, Sources and External Links
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“A man may grow rich in Turkey even, if he will be in all respects a good subject of the Turkish government.”
—Henry David Thoreau (1817–1862)
“The ties between gentle folk are as pure as water; the links between scoundrels are as thick as honey.”
—Chinese proverb.
“But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.”
—William Butler Yeats (1865–1939)