Turkish folk music (Türk Halk Müziği) combines the distinct cultural values of all civilisations that have lived in Anatolia and the past territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It was the most popular music genre in the Ottoman Empire era. After the foundation of Turkish Republic, Atatürk made a wide-scale classification and archiving of samples of Turkish folk music from around Anatolia was launched in 1924 and continued until 1953 to collect around 10,000 folk songs. In the 60's, Turkish folk music met with radio and folk musicians like Aşık Veysel, Neşet Ertaş, Bedia Akartürk became the most popular names of the Turkish folk music. In the 1970's and 80's, with the rising popularity of arabesque and Turkish light western, Turkish folk music has lost its old prestige, but singers like Belkıs Akkale, İzzet Altınmeşe, Selda Bağcan and Arif Sağ made successful hit songs and became important representatives of the genre.
Read more about Turkish Folk Music: Varieties of Style, Scales, and Rhythm, Uses of Music, Samples, Sources and External Links
Famous quotes containing the words turkish, folk and/or music:
“A Turkish baththat marble paradise of sherbert and sodomy.”
—George Gordon Noel Byron (17881824)
“Babies are beautiful, wonderful, exciting, enchanting, extraordinary little creatureswho grow up into ordinary folk like us.”
—Doris Dyson. quoted in What Is a Baby?, By Richard and Helen Exley.
“... the majority of colored men do not yet think it worth while that women aspire to higher education.... The three Rs, a little music and a good deal of dancing, a first rate dress-maker and a bottle of magnolia balm, are quite enough generally to render charming any woman possessed of tact and the capacity for worshipping masculinity.”
—Anna Julia Cooper (18591964)