Tulum - Architecture

Architecture

Tulum has architecture typical of Maya sites on the east coast of the Yucatan Peninsula. This architecture is recognized by a step running around the base of the building which sits on a low substructure. Doorways of this type are usually narrow with columns used as support if the building is big enough. As the walls flare out there are usually two sets of molding near the top. The room usually contains one or two small windows with an altar at the back wall, roofed by either a beam-and-rubble ceiling or being vaulted. This type of architecture resembles what can be found in the nearby Chichen Itza, just on a much smaller scale.

Tulum was protected on one side by steep sea cliffs and on the landward side by a wall that averaged about three to 5 meters (16 ft) in height. The wall also was about 8 m (26 ft) thick and 400 m (1,300 ft) long on the side parallel to the sea. The part of the wall that ran the width of the site was slightly shorter and only about 170 meters (560 ft) on both sides. Constructing this massive wall would have taken an enormous amount of energy and time, which shows how important defense was to the Maya when they chose this site. On the southwest and northwest corners there are small structures that have been identified as watch towers, showing again how well defended the city was. There are five narrow gateways in the wall with two each on the north and south sides and one on the west. Near the northern side of the wall a small cenote provided the city with fresh water. It is this impressive wall that makes Tulum one the most well-known fortified sites of the Maya.

There are three major structures of interest at the Tulum site. El Castillo, the Temple of the Frescoes, and the Temple of the Descending God are the three most famous buildings. Among the more spectacular buildings here is the Temple of the Frescoes that included a lower gallery and a smaller second story gallery. The Temple of the Frescoes was used as an observatory for tracking the movements of the sun. Niched figurines of the Maya “diving god” or Venus deity decorate the facade of the temple. This “diving god” is also depicted in the Temple of the Diving God in the central precinct of the site. Above the entrance in the western wall a stucco figure of the “diving god” is still preserved, giving the temple its name. A mural can still be seen on the eastern wall that resembles that of a style that originated in highland Mexico, called the Mixteca-Puebla style, though visitors are no longer permitted to enter.

Also in the central precinct is the Castillo, which is 7.5 m (25 ft) tall. The Castillo was built on a previous building that was colonnaded and had a beam and mortar roof. The lintels in the upper rooms have serpent motifs carved into them. The construction of the Castillo appears to have taken place in stages. A small shrine appears to have been used as a beacon for incoming canoes. This shrine marks a break in the barrier reef that is opposite the site. Here there is a cove and landing beach in a break in the sea cliffs that would have been perfect for trading canoes coming in. This characteristic of the site may be one of the reasons the Maya founded the city of Tulum exactly here, as Tulum later became a prominent trading port during the late Postclassic.

Read more about this topic:  Tulum

Famous quotes containing the word architecture:

    In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.
    Dan Cruickshank (b. 1949)

    I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
    Roy Lichtenstein (b. 1923)

    Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.
    Horace Walpole (1717–1797)