Style
He is best known for the phrase "And away they go...", spoken as the horses emerge from the starting gate. Some other phrases that Denman has coined are popular with racing fans, such as "scraping the paint", used to describe a horse who is saving ground (running very close to the inner rail). Another is "they would need to sprout wings to catch ______ ..." when a horse is leading by an insurmountable margin in the stretch. A similar phrase used in the same context is "he's out here moving like a winner..." "______ looks like he jumped in at the quarter pole..." is used when a horse comes from far back and is running so fast as to give the impression that he has only just started to run. Finally, another well known Denman phrase is, "_________ is coming like an express train!" This phrase is used when a horse is running right by leading horses in the stretch. He owns a three-year old filly in South Africa, named Top Twenty, trained by Paul Lafferty.
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Famous quotes containing the word style:
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)