Treasure Maps in Fiction
Treasure maps have taken on numerous permutations in literature and film, such as the stereotypical tattered chart with an "X" marking the spot, first made popular by Robert Louis Stevenson in Treasure Island (1883), a cryptic puzzle (in Edgar Allan Poe's "The Gold-Bug" (1843)), or a tattoo leading to a dry-land paradise as seen in the film Waterworld (1995).
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Famous quotes containing the words treasure, maps and/or fiction:
“To recover a buried treasure without having it disappear miraculously in the process, one must be entitled to it, and also be willing—really willing deep in his heart—to share it with the poor and helpless. Buried money, especially silver, gives off a bright glow which comes right up through the earth and can be seen as a dim light on nights when the weather is misty or there is a gentle rain.”
—Administration in the State of Ariz, U.S. public relief program (1935-1943)
“Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.”
—Jonathan Raban (b. 1942)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)